{"id":4372,"date":"2024-04-08T19:30:23","date_gmt":"2024-04-08T17:30:23","guid":{"rendered":"https:\/\/arkdes.se\/?post_type=exhibition&#038;p=4372"},"modified":"2024-06-26T10:39:16","modified_gmt":"2024-06-26T08:39:16","slug":"cruising-pavilion-architecture-gay-sex-and-cruising-culture","status":"publish","type":"exhibition","link":"https:\/\/arkdes.se\/en\/exhibitions\/cruising-pavilion-architecture-gay-sex-and-cruising-culture\/","title":{"rendered":"Cruising Pavilion: Architecture, Gay Sex and Cruising Culture"},"content":{"rendered":"<section>\n    <div class=\"container my-2.5 2:flex justify-between gap-2.5\">\n        <div class=\"max-w-inline w-full\">\n            <div class=\"w-full p-2.5 inline-content bg-white theme-default-shadow\">\n                                    <p class=\"lead\">Cruising describes the quest for sex by homosexual men in public spaces. It is an urban pursuit taking place in parks, public toilets and car parks, as well as in dedicated establishments such as sex clubs and bathhouses. But cruising cannot be reduced to neither men nor gays, nor to any definite location. The historical model of cruising is evolving.<\/p>\n<p>Presenting the many facets of cruising culture through the work of international architects, designers and artists, <em>Cruising Pavilion<\/em>: <em>Architecture, Gay Sex and Cruising Culture<\/em> explores a sexual and spatial practice that spans historical and contemporary culture. The combination of digital hook-up apps, urban development, and the commodification of LGTBQ+ cultures means that traditional cruising grounds are continually adapting. Geospatial technologies have generated a psychosexual geography that spreads across digitally-connected homes and profiles.<\/p>\n<p>The exhibition presents cruising as the producer of a non-hetero architecture that closely mirrors the patriarchal nature of the built environment. Cruising is at once revealed as a resistance, an <em>avant-garde<\/em> and a vernacular, with an active relevance in and beyond LGTBQ+ circles.<\/p>\n                            <\/div>\n        <\/div>\n                    <ul class=\"flex flex-col -2:mt-2.5 -2:max-w-inline gap-2.5\">\n                                    <li class=\"w-full max-w-[290px] flex-grow\">\n                        <div class=\"p-2.5 bg-white theme-default-shadow\">\n                            <figure class=\"w-full\" >\n    <div class=\"relative\">\n        \n        <picture class=\"w-full\"><img decoding=\"async\" src=\"https:\/\/images.ohmyhosting.se\/JeKcWEjQrPPUQycogqsSxFc4N7M=\/fit-in\/270x396\/smart\/filters:quality(10):blur(9)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fandreas-angelidakis-cruising-manual-2.jpg\" srcset=\"https:\/\/images.ohmyhosting.se\/W5r1RHRL54nXa6wFGeXJWUjTKLE=\/270x396\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fandreas-angelidakis-cruising-manual-2.jpg 1x, https:\/\/images.ohmyhosting.se\/fqdTS4SnhlW0RxlbBmowEzxymv0=\/540x792\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fandreas-angelidakis-cruising-manual-2.jpg 2x\" alt=\"\" class=\"w-full block\" height=\"396.3\" width=\"270\" fetchpriority=\"auto\" loading=\"lazy\" \/><\/picture>\n    <\/div>\n\n            <figcaption class=\"text-sm mt-2.5 flex flex-col gap-2.5\">\n                            <i class=\"block not-italic\">Cruising Labyrinth (2016) by Andreas Angelidakis. Open source.<\/i>\n                        \n        <\/figcaption>\n    <\/figure>\n\n                        <\/div>\n                    <\/li>\n                            <\/ul>\n            <\/div>\n<\/section>\n\n<section>\n    <div class=\"container my-2.5 2:flex justify-between items-start\">\n        <div class=\"max-w-inline w-full p-2.5 inline-content bg-beige text-black\">\n                            <!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<?xml encoding=\"UTF-8\"><html><body><p class=\"lead\">Participants<\/p>\n<p>Andreas Angelidakis, Monica Bonvicini, Tom Burr, Shu Lea Cheang, Victoria Colmegna, Earl Combs + Steve Ostrow, Etienne Descloux, Diller Scofidio + Renfro, DYKE_ON, Pol Esteve + Marc Navarro, General Idea, Robert Getso, Horace Gifford, Sidsel Meineche Hansen, Nguyen Tan Hoang, Andr&eacute;s Jaque (Office for Political Innovation), Studio Karhard, Ann Krsul + Amy Cappellazzo + Alexis Roworth + Sarah Drake, John Lindell, Henrik Olesen, Puppies Puppies (Jade Kuriki Olivo), Hannah Quinlan + Rosie Hastings, Carlos Reyes, Prem Sahib, Jaanus Samma, S H U I (Jon Wang + Sean Roland), Max Sohl + Paul Morris, Charles Terrell + Bruce Mailman, Tommy Ting, Madelon Vriesendorp, Steven Warwick, Robert Yang, Trevor Yeung<\/p>\n<\/body><\/html>\n                    <\/div>\n            <\/div>\n<\/section>\n\n<div class=\"container\">\n    <div class=\"p-2.5 my-2.5 bg-white theme-default-shadow max-w-inline\">\n        <figure class=\"w-full\" >\n    <div class=\"relative\">\n        \n        <picture class=\"w-full\"><source media=\"(max-width:409px)\" data-srcset=\"https:\/\/images.ohmyhosting.se\/-JlL0cWSaaO838XVqupAMAgQmaM=\/390x0\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fd_01_cruisingpavilion_johandehlin-low-res-2.jpg 1x, https:\/\/images.ohmyhosting.se\/wj40uw3wWeGnkqIvR6vwUUz6Gi0=\/780x0\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fd_01_cruisingpavilion_johandehlin-low-res-2.jpg 2x\"><img decoding=\"async\" src=\"https:\/\/images.ohmyhosting.se\/liPLqPvZ6L9ZF9sEIWo5cexJTdU=\/fit-in\/570x855\/smart\/filters:quality(10):blur(9)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fd_01_cruisingpavilion_johandehlin-low-res-2.jpg\" srcset=\"https:\/\/images.ohmyhosting.se\/CRifqEjpr0ODW32CbJUtup7oSd0=\/570x855\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fd_01_cruisingpavilion_johandehlin-low-res-2.jpg 1x, https:\/\/images.ohmyhosting.se\/TdVAZEMVMlhjTfgxB2gXtufqfnw=\/1140x1710\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fd_01_cruisingpavilion_johandehlin-low-res-2.jpg 2x\" alt=\"\" class=\"w-full block\" height=\"855\" width=\"570\" fetchpriority=\"auto\" loading=\"lazy\" \/><\/picture>\n    <\/div>\n\n            <figcaption class=\"text-sm mt-2.5 flex flex-col gap-2.5\">\n                            <i class=\"block not-italic\">Photo: Johan Dehlin. 2019.<\/i>\n                        Cruising Labyrinth by Andreas Angelidakis. 2016.\n        <\/figcaption>\n    <\/figure>\n\n    <\/div>\n<\/div>\n\n<div class=\"container my-2.5\">\n        <div class=\"card-wrap\">\n                    <article class=\"statement p-2.5 text-lg bg-grey text-red\">\n    <h2>Cruising is not obsolete. Public sex remains a laboratory for political futures and spaces and is central to understanding new ways of thinking, living, loving, meeting, and belonging.<\/h2>\n<\/article>\n            <\/div>\n<\/div>\n\n<div class=\"container\">\n    <div class=\"p-2.5 my-2.5 bg-white theme-default-shadow max-w-inline\">\n        <figure class=\"w-full\" >\n    <div class=\"relative\">\n        \n        <picture class=\"w-full\"><source media=\"(max-width:409px)\" data-srcset=\"https:\/\/images.ohmyhosting.se\/16wsD6_CxjHfWJyUYhNcYgPZgMI=\/390x0\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F07_cruisingpavilion_johandehlin-low-res-2.jpg 1x, https:\/\/images.ohmyhosting.se\/k7lcRpeNa3nQ7lznv6B0GszD8pg=\/780x0\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F07_cruisingpavilion_johandehlin-low-res-2.jpg 2x\"><img decoding=\"async\" src=\"https:\/\/images.ohmyhosting.se\/rFwWBSh3wpu48UOHKgO352Hz3O8=\/fit-in\/570x855\/smart\/filters:quality(10):blur(9)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F07_cruisingpavilion_johandehlin-low-res-2.jpg\" srcset=\"https:\/\/images.ohmyhosting.se\/TsZQOf5ZJXVddYBxvVI6KmzmANA=\/570x855\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F07_cruisingpavilion_johandehlin-low-res-2.jpg 1x, https:\/\/images.ohmyhosting.se\/dT7Oh8dezDqQb77HwnQ9wj7gBbU=\/1140x1710\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F07_cruisingpavilion_johandehlin-low-res-2.jpg 2x\" alt=\"\" class=\"w-full block\" height=\"855\" width=\"570\" fetchpriority=\"auto\" loading=\"lazy\" \/><\/picture>\n    <\/div>\n\n            <figcaption class=\"text-sm mt-2.5 flex flex-col gap-2.5\">\n                            <i class=\"block not-italic\">Photo: Johan Dehlin. 2019.<\/i>\n                        \n        <\/figcaption>\n    <\/figure>\n\n    <\/div>\n<\/div>\n\n<div class=\"container my-2.5\">\n    <div class=\"2:inline-block\">\n    <div class=\"p-2.5 bg-white grid grid-cols-1 1:grid-cols-2 2:grid-cols-4 gap-2.5 theme-default-shadow\">\n                    <div class=\"w-full 2:w-[285px]\">\n                <figure class=\"w-full\" >\n    <div class=\"relative\">\n        \n        <picture class=\"w-full relative block\" style=\"padding-top:72.9824561404%;\"><img decoding=\"async\" src=\"https:\/\/images.ohmyhosting.se\/oZ_JmS4CYAfTvFnv5b1wBJEzBeM=\/fit-in\/285x208\/smart\/filters:quality(10):blur(9)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fandreas-angelidakis-cruising-manual-2.jpg\" srcset=\"https:\/\/images.ohmyhosting.se\/6VqAUlKHKToI5T4fIH0EWuMm3cc=\/fit-in\/285x208\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fandreas-angelidakis-cruising-manual-2.jpg 1x, https:\/\/images.ohmyhosting.se\/1XlBxtDcYmPUDFl2TXIAYZYSMkY=\/fit-in\/570x416\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fandreas-angelidakis-cruising-manual-2.jpg 2x\" alt=\"\" class=\"w-full block absolute left-0 top-0 h-full object-contain\" height=\"208\" width=\"285\" fetchpriority=\"auto\" loading=\"lazy\" \/><\/picture>\n    <\/div>\n\n            <figcaption class=\"text-sm mt-2.5 flex flex-col gap-2.5\">\n                            <i class=\"block not-italic\">Cruising Labyrinth (2016) by Andreas Angelidakis. Open source.<\/i>\n                        \n        <\/figcaption>\n    <\/figure>\n\n            <\/div>\n                    <div class=\"w-full 2:w-[285px]\">\n                <figure class=\"w-full\" >\n    <div class=\"relative\">\n        \n        <picture class=\"w-full relative block\" style=\"padding-top:72.9824561404%;\"><img decoding=\"async\" src=\"https:\/\/images.ohmyhosting.se\/xnt_8jTWJVq9NTOBxPGxMMHEyFA=\/fit-in\/285x208\/smart\/filters:quality(10):blur(9)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Frobert-getso-nygogos-3.jpg\" srcset=\"https:\/\/images.ohmyhosting.se\/e0ZiON-7ALrJp62g0ILEKycBAvI=\/fit-in\/285x208\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Frobert-getso-nygogos-3.jpg 1x, https:\/\/images.ohmyhosting.se\/E0dnhKYbU6-HWSexUah7NYbH8IA=\/fit-in\/570x416\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Frobert-getso-nygogos-3.jpg 2x\" alt=\"\" class=\"w-full block absolute left-0 top-0 h-full object-contain\" height=\"208\" width=\"285\" fetchpriority=\"auto\" loading=\"lazy\" \/><\/picture>\n    <\/div>\n\n            <figcaption class=\"text-sm mt-2.5 flex flex-col gap-2.5\">\n                            <i class=\"block not-italic\">From the &#039;NYC Go Go (Postcard from the Edge)&#039; series (2014) by Robert Getso. Courtesy of Timothy Landers.<\/i>\n                        \n        <\/figcaption>\n    <\/figure>\n\n            <\/div>\n                    <div class=\"w-full 2:w-[285px]\">\n                <figure class=\"w-full\" >\n    <div class=\"relative\">\n        \n        <picture class=\"w-full relative block\" style=\"padding-top:72.9824561404%;\"><img decoding=\"async\" src=\"https:\/\/images.ohmyhosting.se\/xq_CCC85z6x0IwZbOAWYoHm4zHo=\/fit-in\/285x208\/smart\/filters:quality(10):blur(9)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Faafagc_boat-jaanus-samma.jpg\" srcset=\"https:\/\/images.ohmyhosting.se\/fx6yyqHkIbTSNFsDABX7udHZm1U=\/fit-in\/285x208\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Faafagc_boat-jaanus-samma.jpg 1x, https:\/\/images.ohmyhosting.se\/C6DpAZTzn8_t8-gLv_OpG0jlIt4=\/fit-in\/570x416\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Faafagc_boat-jaanus-samma.jpg 2x\" alt=\"\" class=\"w-full block absolute left-0 top-0 h-full object-contain\" height=\"208\" width=\"285\" fetchpriority=\"auto\" loading=\"lazy\" \/><\/picture>\n    <\/div>\n\n            <figcaption class=\"text-sm mt-2.5 flex flex-col gap-2.5\">\n                            <i class=\"block not-italic\">Still from &#039;\u201cAAFAGC\u201d, Applied Art for a Gay Club&#039; (2011) by Jaanus Samma and Alo Paistik. Courtesy of the artists.<\/i>\n                        Still from &#039;\u201cAAFAGC\u201d, Applied Art for a Gay Club&#039; (2011) by Jaanus Samma and Alo Paistik. Courtesy of the artists.\n        <\/figcaption>\n    <\/figure>\n\n            <\/div>\n                    <div class=\"w-full 2:w-[285px]\">\n                <figure class=\"w-full\" >\n    <div class=\"relative\">\n        \n        <picture class=\"w-full relative block\" style=\"padding-top:72.9824561404%;\"><img decoding=\"async\" src=\"https:\/\/images.ohmyhosting.se\/OVGbDP9_EKUFcghc2O3PmTJlAwQ=\/fit-in\/285x208\/smart\/filters:quality(10):blur(9)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fthe-saint-3.jpg\" srcset=\"https:\/\/images.ohmyhosting.se\/OYQ6U29HXQPhUbc198KYpiPPerQ=\/fit-in\/285x208\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fthe-saint-3.jpg 1x, https:\/\/images.ohmyhosting.se\/ak03ZsT_AF1SMC-7DN39Rto1XVY=\/fit-in\/570x416\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fthe-saint-3.jpg 2x\" alt=\"\" class=\"w-full block absolute left-0 top-0 h-full object-contain\" height=\"208\" width=\"285\" fetchpriority=\"auto\" loading=\"lazy\" \/><\/picture>\n    <\/div>\n\n            <figcaption class=\"text-sm mt-2.5 flex flex-col gap-2.5\">\n                            <i class=\"block not-italic\">&#039;Blueprints of The Saint (invitation to the first event)&#039; (1980) by Charles Terrell and Bruce Mailman. Courtesy of The Saint Foundation Archives.<\/i>\n                        \n        <\/figcaption>\n    <\/figure>\n\n            <\/div>\n                    <div class=\"w-full 2:w-[285px]\">\n                <figure class=\"w-full\" >\n    <div class=\"relative\">\n        \n        <picture class=\"w-full relative block\" style=\"padding-top:72.9824561404%;\"><img decoding=\"async\" src=\"https:\/\/images.ohmyhosting.se\/CIy2BRxrjoSUW7t7tNjR5y8gqv4=\/fit-in\/285x208\/smart\/filters:quality(10):blur(9)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fmadelon-vriesendorp-flagrant-delit-3.jpg\" srcset=\"https:\/\/images.ohmyhosting.se\/zSfplKP34vN1igwPQhVK2LIgd0I=\/fit-in\/285x208\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fmadelon-vriesendorp-flagrant-delit-3.jpg 1x, https:\/\/images.ohmyhosting.se\/5o_XwwXh0eVRLman-OBNXdGVlAA=\/fit-in\/570x416\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fmadelon-vriesendorp-flagrant-delit-3.jpg 2x\" alt=\"\" class=\"w-full block absolute left-0 top-0 h-full object-contain\" height=\"208\" width=\"285\" fetchpriority=\"auto\" loading=\"lazy\" \/><\/picture>\n    <\/div>\n\n            <figcaption class=\"text-sm mt-2.5 flex flex-col gap-2.5\">\n                            <i class=\"block not-italic\">&#039;Reproduction of Flagrant D\u00e9lit&#039; (1975) by Madelon Vriesendorp. Courtesy of the artist.<\/i>\n                        \n        <\/figcaption>\n    <\/figure>\n\n            <\/div>\n                    <div class=\"w-full 2:w-[285px]\">\n                <figure class=\"w-full\" >\n    <div class=\"relative\">\n        \n        <picture class=\"w-full relative block\" style=\"padding-top:72.9824561404%;\"><img decoding=\"async\" src=\"https:\/\/images.ohmyhosting.se\/_04Rr9rlindqXtfuDlv0JCvgBBc=\/fit-in\/285x208\/smart\/filters:quality(10):blur(9)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fjohn-lindell-butt-bench-4-scaled.jpg\" srcset=\"https:\/\/images.ohmyhosting.se\/RmbRYvLOCWPrZoqJquDrZRTsAIY=\/fit-in\/285x208\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fjohn-lindell-butt-bench-4-scaled.jpg 1x, https:\/\/images.ohmyhosting.se\/IhhsqQI1h2KZbc6QN29KlNK0Hw8=\/fit-in\/570x416\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fjohn-lindell-butt-bench-4-scaled.jpg 2x\" alt=\"\" class=\"w-full block absolute left-0 top-0 h-full object-contain\" height=\"208\" width=\"285\" fetchpriority=\"auto\" loading=\"lazy\" \/><\/picture>\n    <\/div>\n\n            <figcaption class=\"text-sm mt-2.5 flex flex-col gap-2.5\">\n                            <i class=\"block not-italic\">&#039;Social Sculpture 9, Butt Shelf&#039; (1998\/2019) by John Lindell. Courtesy of the artist.<\/i>\n                        \n        <\/figcaption>\n    <\/figure>\n\n            <\/div>\n                    <div class=\"w-full 2:w-[285px]\">\n                <figure class=\"w-full\" >\n    <div class=\"relative\">\n        \n        <picture class=\"w-full relative block\" style=\"padding-top:72.9824561404%;\"><img decoding=\"async\" src=\"https:\/\/images.ohmyhosting.se\/yvg12wQOkvH4Dh1RKPVhIv2Ohmg=\/fit-in\/285x208\/smart\/filters:quality(10):blur(9)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fann-krsul-lesbian-xanadu-3.jpg\" srcset=\"https:\/\/images.ohmyhosting.se\/py1CQxiMHKzC4ZcwF1bNkS5IGGE=\/fit-in\/285x208\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fann-krsul-lesbian-xanadu-3.jpg 1x, https:\/\/images.ohmyhosting.se\/PfKBzpQYR66hKnW8FgepKxxM2XI=\/fit-in\/570x416\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fann-krsul-lesbian-xanadu-3.jpg 2x\" alt=\"\" class=\"w-full block absolute left-0 top-0 h-full object-contain\" height=\"208\" width=\"285\" fetchpriority=\"auto\" loading=\"lazy\" \/><\/picture>\n    <\/div>\n\n            <figcaption class=\"text-sm mt-2.5 flex flex-col gap-2.5\">\n                            <i class=\"block not-italic\">From &#039;Lesbian Xanadu (Updated Version)&#039; series (2019) by Ann Krsul + Alexis Roworth. Courtesy of the artists.<\/i>\n                        \n        <\/figcaption>\n    <\/figure>\n\n            <\/div>\n                    <div class=\"w-full 2:w-[285px]\">\n                <figure class=\"w-full\" >\n    <div class=\"relative\">\n        \n        <picture class=\"w-full relative block\" style=\"padding-top:72.9824561404%;\"><img decoding=\"async\" src=\"https:\/\/images.ohmyhosting.se\/fGJUmEJGasYQs2J0kHNZz7uXnBo=\/fit-in\/285x208\/smart\/filters:quality(10):blur(9)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fstudio-karhardt-stefan-wolf-lucks.jpg\" srcset=\"https:\/\/images.ohmyhosting.se\/keBWXkRBd8x43xv0dvM2xKTsXek=\/fit-in\/285x208\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fstudio-karhardt-stefan-wolf-lucks.jpg 1x, https:\/\/images.ohmyhosting.se\/ArCAziH2J3xj4slnIz30lcu67bQ=\/fit-in\/570x416\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fstudio-karhardt-stefan-wolf-lucks.jpg 2x\" alt=\"\" class=\"w-full block absolute left-0 top-0 h-full object-contain\" height=\"208\" width=\"285\" fetchpriority=\"auto\" loading=\"lazy\" \/><\/picture>\n    <\/div>\n\n            <figcaption class=\"text-sm mt-2.5 flex flex-col gap-2.5\">\n                            <i class=\"block not-italic\">&#039;Boiler Club Extension&#039; (2015) by Studio Karhard. Courtesy of the artist. Photo: Stefan Wolf Lucks.<\/i>\n                        \n        <\/figcaption>\n    <\/figure>\n\n            <\/div>\n            <\/div>\n<\/div>\n<\/div>\n\n<div class=\"container my-2.5\">\n        <div class=\"card-wrap\">\n                    <article class=\"card theme-default-shadow theme-default-shadow-hover relative\" data-track-content data-content-name=\"Cruising Pavilion Considers the Architecture of Queer Sex, from Grindr to Glory Holes\">\n    <div class=\"card-header\">\n                    <a\n                class=\"card-tag button button-black z-[10]\"\n                href=\"https:\/\/arkdes.se\/en\/exhibitions\/\"\n            >\n                Exhibitions\n            <\/a>\n        \n                    <div class=\"card-date\">\n                                    <p class=\"lowercase\">\n                        Review\n                    <\/p>\n                \n                \n\n\n                            <\/div>\n        \n                    <a\n                class=\"text-link relative z-[10] ml-auto block gap-1 text-right\"\n                href=\"https:\/\/archive.pinupmagazine.org\/articles\/essay-cruising-pavilion-gay-sex-public-space-michael-bullock\"\n                rel=\"noopener noreferrer\"\n                target=\"_blank\"\n            >\n                pinupmagazine.org\n                \n            <\/a>\n        \n            <\/div>\n\n                    <a\n            class=\"expanded-hit-area\"\n            href=\"https:\/\/archive.pinupmagazine.org\/articles\/essay-cruising-pavilion-gay-sex-public-space-michael-bullock\"\n            onclick=\"document.getElementById('dateForm_69dff21fd416e').submit(); return false;\"\n            data-content-target=\"https:\/\/archive.pinupmagazine.org\/articles\/essay-cruising-pavilion-gay-sex-public-space-michael-bullock\"\n        >\n        <h2\n        class=\"card-title\"\n        id=\"card-title69dff21fd416d\"\n    >\n        Cruising Pavilion Considers the Architecture of Queer Sex, from Grindr to Glory Holes\n    <\/h2>\n            <\/a>\n    \n    \n    <div class=\"card-image-holder\">\n                    <div class=\"card-image\">\n                <figure class=\"w-full\" aria-hidden='true'>\n    <div class=\"relative\">\n        \n        <picture class=\"w-full\"><img decoding=\"async\" src=\"https:\/\/images.ohmyhosting.se\/SYejDZb1unryOZuwGGrC4A0spYQ=\/fit-in\/370x277\/smart\/filters:quality(10):blur(9)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fcruising-gif.gif\" srcset=\"https:\/\/images.ohmyhosting.se\/9q7Lj-QvUnSD6p2Vgj-y65NaRxA=\/370x277\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fcruising-gif.gif 1x, https:\/\/images.ohmyhosting.se\/5WisWNTNQrXx8jUag3GiguUbrhQ=\/740x555\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fcruising-gif.gif 2x\" alt=\"\" class=\"w-full block\" height=\"277.5\" width=\"370\" fetchpriority=\"auto\" loading=\"lazy\" \/><\/picture>\n    <\/div>\n\n            <figcaption class=\"text-sm mt-2.5 flex flex-col gap-2.5\">\n                            <i class=\"block not-italic\">Image: Rasmus Myrup. 2019.<\/i>\n                        \n        <\/figcaption>\n    <\/figure>\n\n            <\/div>\n            <\/div>\n\n    \n    <\/article>\n                    <article class=\"card theme-default-shadow theme-default-shadow-hover relative\" data-track-content data-content-name=\"Third exhibition of the Cruising Pavilion goes institutional in Stockholm\">\n    <div class=\"card-header\">\n                    <a\n                class=\"card-tag button button-black z-[10]\"\n                href=\"https:\/\/arkdes.se\/en\/exhibitions\/\"\n            >\n                Exhibitions\n            <\/a>\n        \n                    <div class=\"card-date\">\n                                    <p class=\"lowercase\">\n                        Review\n                    <\/p>\n                \n                \n\n\n                            <\/div>\n        \n                    <a\n                class=\"text-link relative z-[10] ml-auto block gap-1 text-right\"\n                href=\"https:\/\/www.archpaper.com\/2019\/09\/third-exhibition-cruising-pavilion-stockholm\/\"\n                rel=\"noopener noreferrer\"\n                target=\"_blank\"\n            >\n                archpaper.com\n                \n            <\/a>\n        \n            <\/div>\n\n                    <a\n            class=\"expanded-hit-area\"\n            href=\"https:\/\/www.archpaper.com\/2019\/09\/third-exhibition-cruising-pavilion-stockholm\/\"\n            onclick=\"document.getElementById('dateForm_69dff21fd42da').submit(); return false;\"\n            data-content-target=\"https:\/\/www.archpaper.com\/2019\/09\/third-exhibition-cruising-pavilion-stockholm\/\"\n        >\n        <h2\n        class=\"card-title\"\n        id=\"card-title69dff21fd42d9\"\n    >\n        Third exhibition of the Cruising Pavilion goes institutional in Stockholm\n    <\/h2>\n            <\/a>\n    \n    \n    <div class=\"card-image-holder\">\n                    <div class=\"card-image\">\n                <figure class=\"w-full\" aria-hidden='true'>\n    <div class=\"relative\">\n        \n        <picture class=\"w-full\"><img decoding=\"async\" src=\"https:\/\/images.ohmyhosting.se\/s0zad70NnK6U34oTSJPLGJwU3iM=\/fit-in\/370x370\/smart\/filters:quality(10):blur(9)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fcondoms_jtf-2.jpg\" srcset=\"https:\/\/images.ohmyhosting.se\/04vUMGvByqOGu3Agp9_Un7Pkrjc=\/370x370\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fcondoms_jtf-2.jpg 1x, https:\/\/images.ohmyhosting.se\/HyYzVcbAdA9E6RWePFlcLIkgeSY=\/740x740\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fcondoms_jtf-2.jpg 2x\" alt=\"\" class=\"w-full block\" height=\"370\" width=\"370\" fetchpriority=\"auto\" loading=\"lazy\" \/><\/picture>\n    <\/div>\n\n            <figcaption class=\"text-sm mt-2.5 flex flex-col gap-2.5\">\n                            <i class=\"block not-italic\">Photo: James Taylor-Foster. 2019.<\/i>\n                        \n        <\/figcaption>\n    <\/figure>\n\n            <\/div>\n            <\/div>\n\n    \n    <\/article>\n                    <article class=\"card theme-default-shadow theme-default-shadow-hover relative\" data-track-content data-content-name=\"Architecture is overdue its own sexual revolution\">\n    <div class=\"card-header\">\n                    <a\n                class=\"card-tag button button-black z-[10]\"\n                href=\"https:\/\/arkdes.se\/en\/exhibitions\/\"\n            >\n                Exhibitions\n            <\/a>\n        \n                    <div class=\"card-date\">\n                                    <p class=\"lowercase\">\n                        Interview\n                    <\/p>\n                \n                \n\n\n                            <\/div>\n        \n                    <a\n                class=\"text-link relative z-[10] ml-auto block gap-1 text-right\"\n                href=\"https:\/\/www.dezeen.com\/2019\/11\/04\/architecture-overdue-sexual-revolution-cruising-pavilion-ark-des\/\"\n                rel=\"noopener noreferrer\"\n                target=\"_blank\"\n            >\n                dezeen.com\n                \n            <\/a>\n        \n            <\/div>\n\n                    <a\n            class=\"expanded-hit-area\"\n            href=\"https:\/\/www.dezeen.com\/2019\/11\/04\/architecture-overdue-sexual-revolution-cruising-pavilion-ark-des\/\"\n            onclick=\"document.getElementById('dateForm_69dff21fd43cd').submit(); return false;\"\n            data-content-target=\"https:\/\/www.dezeen.com\/2019\/11\/04\/architecture-overdue-sexual-revolution-cruising-pavilion-ark-des\/\"\n        >\n        <h2\n        class=\"card-title\"\n        id=\"card-title69dff21fd43cc\"\n    >\n        Architecture is overdue its own sexual revolution\n    <\/h2>\n            <\/a>\n    \n    \n    <div class=\"card-image-holder\">\n                    <div class=\"card-image\">\n                <figure class=\"w-full\" aria-hidden='true'>\n    <div class=\"relative\">\n        \n        <picture class=\"w-full\"><img decoding=\"async\" src=\"https:\/\/images.ohmyhosting.se\/WDVeL74YfaCXzpVekknVSbpgIAw=\/fit-in\/370x462\/smart\/filters:quality(10):blur(9)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F04_cruisingpavilion_johandehlin-low-res-3.jpg\" srcset=\"https:\/\/images.ohmyhosting.se\/dlabyNisWfDGjq-l--J83PGKd6Y=\/370x462\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F04_cruisingpavilion_johandehlin-low-res-3.jpg 1x, https:\/\/images.ohmyhosting.se\/8CrZ52PZPGN5bNIHWl7dzg-ti9c=\/740x925\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F04_cruisingpavilion_johandehlin-low-res-3.jpg 2x\" alt=\"\" class=\"w-full block\" height=\"462.5\" width=\"370\" fetchpriority=\"auto\" loading=\"lazy\" \/><\/picture>\n    <\/div>\n\n            <figcaption class=\"text-sm mt-2.5 flex flex-col gap-2.5\">\n                            <i class=\"block not-italic\">Photo: Johan Dehlin. 2019.<\/i>\n                        \n        <\/figcaption>\n    <\/figure>\n\n            <\/div>\n            <\/div>\n\n    \n    <\/article>\n                    <article class=\"card theme-default-shadow theme-default-shadow-hover relative\" data-track-content data-content-name=\"The Paths that Lead Us to Each Other\">\n    <div class=\"card-header\">\n                    <a\n                class=\"card-tag button button-black z-[10]\"\n                href=\"https:\/\/arkdes.se\/en\/exhibitions\/\"\n            >\n                Exhibitions\n            <\/a>\n        \n                    <div class=\"card-date\">\n                                    <p class=\"lowercase\">\n                        Review\n                    <\/p>\n                \n                \n\n\n                            <\/div>\n        \n                    <a\n                class=\"text-link relative z-[10] ml-auto block gap-1 text-right\"\n                href=\"https:\/\/disegnojournal.com\/shop\/p\/disegno25?rq=cruising\"\n                rel=\"noopener noreferrer\"\n                target=\"_blank\"\n            >\n                disegnojournal.com\n                \n            <\/a>\n        \n            <\/div>\n\n                    <a\n            class=\"expanded-hit-area\"\n            href=\"https:\/\/disegnojournal.com\/shop\/p\/disegno25?rq=cruising\"\n            onclick=\"document.getElementById('dateForm_69dff21fd44cb').submit(); return false;\"\n            data-content-target=\"https:\/\/disegnojournal.com\/shop\/p\/disegno25?rq=cruising\"\n        >\n        <h2\n        class=\"card-title\"\n        id=\"card-title69dff21fd44ca\"\n    >\n        The Paths that Lead Us to Each Other\n    <\/h2>\n            <\/a>\n    \n    \n    <div class=\"card-image-holder\">\n                    <div class=\"card-image\">\n                <figure class=\"w-full\" aria-hidden='true'>\n    <div class=\"relative\">\n        \n        <picture class=\"w-full\"><img decoding=\"async\" src=\"https:\/\/images.ohmyhosting.se\/Hww7Dz8OGsHGe5JsMvd7X05e8Cg=\/fit-in\/370x513\/smart\/filters:quality(10):blur(9)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fcp-ad-cqiff-3.jpg\" srcset=\"https:\/\/images.ohmyhosting.se\/txyjikwoEWLCEVczItMdtJg6wEU=\/370x513\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fcp-ad-cqiff-3.jpg 1x, https:\/\/images.ohmyhosting.se\/hav0CqNtAV21ydzArB1ATjpMJ0w=\/740x1026\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fcp-ad-cqiff-3.jpg 2x\" alt=\"\" class=\"w-full block\" height=\"513.375\" width=\"370\" fetchpriority=\"auto\" loading=\"lazy\" \/><\/picture>\n    <\/div>\n\n            <figcaption class=\"text-sm mt-2.5 flex flex-col gap-2.5\">\n                            <i class=\"block not-italic\">Photo: Klaudia Rychlik. 2019.<\/i>\n                        \n        <\/figcaption>\n    <\/figure>\n\n            <\/div>\n            <\/div>\n\n    \n    <\/article>\n                    <article class=\"card theme-default-shadow theme-default-shadow-hover relative\" data-track-content data-content-name=\"Darkrooms and White Cubes\">\n    <div class=\"card-header\">\n                    <a\n                class=\"card-tag button button-black z-[10]\"\n                href=\"https:\/\/arkdes.se\/en\/exhibitions\/\"\n            >\n                Exhibitions\n            <\/a>\n        \n                    <div class=\"card-date\">\n                                    <p class=\"lowercase\">\n                        Interview\n                    <\/p>\n                \n                \n\n\n                            <\/div>\n        \n                    <a\n                class=\"text-link relative z-[10] ml-auto block gap-1 text-right\"\n                href=\"https:\/\/www.glass-bead.org\/article\/darkrooms-and-white-cubes-cruising-pavilion-in-conversation-with-glass-bead\/?lang=enview\"\n                rel=\"noopener noreferrer\"\n                target=\"_blank\"\n            >\n                glass-bead.org\n                \n            <\/a>\n        \n            <\/div>\n\n                    <a\n            class=\"expanded-hit-area\"\n            href=\"https:\/\/www.glass-bead.org\/article\/darkrooms-and-white-cubes-cruising-pavilion-in-conversation-with-glass-bead\/?lang=enview\"\n            onclick=\"document.getElementById('dateForm_69dff21fd45b5').submit(); return false;\"\n            data-content-target=\"https:\/\/www.glass-bead.org\/article\/darkrooms-and-white-cubes-cruising-pavilion-in-conversation-with-glass-bead\/?lang=enview\"\n        >\n        <h2\n        class=\"card-title\"\n        id=\"card-title69dff21fd45b4\"\n    >\n        Darkrooms and White Cubes\n    <\/h2>\n            <\/a>\n    \n    \n    <div class=\"card-image-holder\">\n                    <div class=\"card-image\">\n                <figure class=\"w-full\" aria-hidden='true'>\n    <div class=\"relative\">\n        \n        <picture class=\"w-full\"><img decoding=\"async\" src=\"https:\/\/images.ohmyhosting.se\/GclIaEFjQk1nCRFdi6UWxI1_k0o=\/fit-in\/370x555\/smart\/filters:quality(10):blur(9)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F12_cruisingpavilion_johandehlin-low-res-2.jpg\" srcset=\"https:\/\/images.ohmyhosting.se\/LjwpKBSuG5Rjc_4X6IWLHsuMatY=\/370x555\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F12_cruisingpavilion_johandehlin-low-res-2.jpg 1x, https:\/\/images.ohmyhosting.se\/Nbo9k65Et6ydwSc54ZRdrD3xLFA=\/740x1110\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F12_cruisingpavilion_johandehlin-low-res-2.jpg 2x\" alt=\"\" class=\"w-full block\" height=\"555.13878469617\" width=\"370\" fetchpriority=\"auto\" loading=\"lazy\" \/><\/picture>\n    <\/div>\n\n            <figcaption class=\"text-sm mt-2.5 flex flex-col gap-2.5\">\n                            <i class=\"block not-italic\">Photo: Johan Dehlin. 2019.<\/i>\n                        \n        <\/figcaption>\n    <\/figure>\n\n            <\/div>\n            <\/div>\n\n    \n    <\/article>\n            <\/div>\n<\/div>\n\n<section>\n    <div class=\"container my-2.5 2:flex justify-between gap-2.5\">\n        <div class=\"max-w-inline w-full\">\n            <div class=\"w-full p-2.5 inline-content bg-beige text-black\">\n                                    <p class=\"h2 lead\">Cinema Queer: Cruising Through Time<\/p>\n<p>Since the dawn of time, queers have hooked up for sex in all corners of society: in parks, alleys, on beaches and toilets, in clubs and in basements. With two short film programmes <a href=\"https:\/\/cinemaqueer.se\/\" target=\"_blank\" rel=\"noopener\">Cinema Queer<\/a> makes space for some of these stories \u2013 some true, and some fiction. <em>From Toilets to Tablets: Cruising Through Time <\/em>presents the raunchy, the tender, the political, the naked, the power and the resistance inherent in cruising.<\/p>\n<p><em>Cruising as an Act of Resistance <\/em> was a conversation between Lina Bembe, Max Disgrace, Johnnie Ray Kornegay III, Jon Voss, moderated by Nicklas Dennermalm. This event took place on September 27, 2019.<\/p>\n                            <\/div>\n        <\/div>\n                    <ul class=\"flex flex-col -2:mt-2.5 -2:max-w-inline gap-2.5\">\n                                    <li class=\"w-full max-w-[290px] flex-grow\">\n                        <div class=\"p-2.5 bg-white theme-default-shadow\">\n                            <figure class=\"w-full\" >\n    <div class=\"relative\">\n        \n        <picture class=\"w-full\"><img decoding=\"async\" src=\"https:\/\/images.ohmyhosting.se\/pQTGcWy5ewWA6xSQ6Hkt7G9ecXk=\/fit-in\/270x180\/smart\/filters:quality(10):blur(9)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F1.jpg\" srcset=\"https:\/\/images.ohmyhosting.se\/koZP93Oj7dq6fK43iUyY0g3kSE4=\/270x180\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F1.jpg 1x, https:\/\/images.ohmyhosting.se\/8AbBbk817ODnjwAAvSbyZkY9aXk=\/540x360\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F1.jpg 2x\" alt=\"\" class=\"w-full block\" height=\"180.087890625\" width=\"270\" fetchpriority=\"auto\" loading=\"lazy\" \/><\/picture>\n    <\/div>\n\n            <figcaption class=\"text-sm mt-2.5 flex flex-col gap-2.5\">\n                            <i class=\"block not-italic\">Photo: Klaudia Rychlik. 2019.<\/i>\n                        Screenings of &#039;The Sweet Sense of Desire&#039; and &#039;In the Darkest of Alleys&#039;.\n        <\/figcaption>\n    <\/figure>\n\n                        <\/div>\n                    <\/li>\n                            <\/ul>\n            <\/div>\n<\/section>\n\n<div class=\"container\">\n    <div class=\"p-2.5 my-2.5 bg-white theme-default-shadow max-w-inline\">\n        <figure class=\"w-full\" >\n    <div class=\"relative\">\n        \n        <picture class=\"w-full\"><source media=\"(max-width:409px)\" data-srcset=\"https:\/\/images.ohmyhosting.se\/YFJOkdPtjjQfn6H_vvE76eNqVW0=\/390x0\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F09_cruisingpavilion_johandehlin-low-res-2.jpg 1x, https:\/\/images.ohmyhosting.se\/AFuQTPcnKztCQtWhPBq6ZV5lLRQ=\/780x0\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F09_cruisingpavilion_johandehlin-low-res-2.jpg 2x\"><img decoding=\"async\" src=\"https:\/\/images.ohmyhosting.se\/BPPPhYlJHBjSTIO3vGDXisxkTiI=\/fit-in\/570x855\/smart\/filters:quality(10):blur(9)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F09_cruisingpavilion_johandehlin-low-res-2.jpg\" srcset=\"https:\/\/images.ohmyhosting.se\/DydaGbeAqWeUCUOwDa-svSDlYVg=\/570x855\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F09_cruisingpavilion_johandehlin-low-res-2.jpg 1x, https:\/\/images.ohmyhosting.se\/pXjFNNf1xfMCDRTY3HMNTh5t3UM=\/1140x1710\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F09_cruisingpavilion_johandehlin-low-res-2.jpg 2x\" alt=\"\" class=\"w-full block\" height=\"855\" width=\"570\" fetchpriority=\"auto\" loading=\"lazy\" \/><\/picture>\n    <\/div>\n\n            <figcaption class=\"text-sm mt-2.5 flex flex-col gap-2.5\">\n                            <i class=\"block not-italic\">Photo: Johan Dehlin. 2019.<\/i>\n                        \n        <\/figcaption>\n    <\/figure>\n\n    <\/div>\n<\/div>\n\n<section>\n    <div class=\"container my-2.5 2:flex justify-between items-start\">\n        <div class=\"max-w-inline w-full p-2.5 inline-content bg-white theme-default-shadow\">\n                            <!DOCTYPE html PUBLIC \"-\/\/W3C\/\/DTD HTML 4.0 Transitional\/\/EN\" \"http:\/\/www.w3.org\/TR\/REC-html40\/loose.dtd\">\n<?xml encoding=\"UTF-8\"><html><body><p class=\"lead\">Curatorial note<\/p>\n<p>Homosexuality and other non-normative identities have a conflictual relationship with modern and contemporary architecture. Buildings designed by architects&mdash;whether they are houses, prisons, hospitals, factories, bathhouses, and so on&mdash;organise interactions between bodies in spaces according to normalised notions of productivity, sociability, and individuality. For these reasons, this history has made made gay sex a target for control.<\/p>\n<p>In many ways, &lsquo;queerness&rsquo; is anti-architectural: as a concept, &lsquo;queerness&rsquo; resists form; as a practice, &lsquo;queerness&rsquo; is labelled deviant and therefore systematically excluded from mainstream architecture discourse. Today, public parks continue to be altered to make their bushes less suited to cruising culture; <span class=\"inline-content-footnote\" data-index=\"1\">gaybars<a href=\"#fn1\" class=\"inline-content-footnote-anchor\">1<\/a><\/span> are pushed into what might be considered undesirable neighbourhoods; private houses are still designed for heterosexual couples with children.<\/p>\n<p>To talk about the architecture of cruising is, therefore, a complex proposition. On one hand, discussion around this theme contributes to the understanding of non-normative spaces. It could be argued that labyrinths, darkrooms, and their spatial devices (such as gloryholes) could be the basis for future architectural intelligence. On the other hand, however, the very act of presenting cruising in a national museum of architecture and design, and in so doing risking its institutionalisation, is contradictory to the essence of cruising. Without repression, without hiding, this sexual subculture would probably not have developed design tactics that are governed by concealment and subversion. In one way, even the exhibition of the &lsquo;unexhibitable&rsquo; in a public institution could be considered dangerous for the culture of cruising. As BOXEN is a white cube, <span class=\"inline-content-footnote\" data-index=\"2\">The Darkroom<a href=\"#fn2\" class=\"inline-content-footnote-anchor\">2<\/a><\/span> intentionally contrasts the white cube both literally and politically.<\/p>\n<p>Nevertheless, it is important to search for connections between LGTBQ+ culture and architecture. As the B-side of the modern city, cruising is a thermometer for metropolitan health. Art and theory have paved the way for architecture to appropriate the topic and infuse design with a much needed sensibility. <em>Cruising Pavilion<\/em> seeks to open a crack, to bridge a gap in a historical narrative that will need a great deal of collective input to counter the forces of erasure that it has been subject to.<\/p>\n<\/body><\/html>\n                    <\/div>\n                    <footer>\n                <ol class=\"footnotes -2:mt-2.5 -2:max-w-inline\">\n                                                                    <li id=\"fn1\" class=\"footnote w-[190px]\" data-footnote-index=\"1\">\n                            <a href=\"#fn1\" class=\"footnote-index mb-2.5\">1<\/a>\n                                                        <div class=\"inline-content text-sm\">\n                                                                    <p>To cruise is to search for like-minded people. Although it is possible to cruise practically anywhere, there are specific environments in which encounters are more likely to take place such as clubs, bars, bathhouses, and bookstores. Although such places cannot be reduced to a single type of architecture, they often feature rooms for socialising (i.e. a lounge or a bar). They can openly advertise as gay or queer venues, and they can also blend into the background of the city as places known only to members of a specific community.<\/p>\n                                                            <\/div>\n                        <\/li>\n                                                                    <li id=\"fn2\" class=\"footnote w-[190px]\" data-footnote-index=\"2\">\n                            <a href=\"#fn2\" class=\"footnote-index mb-2.5\">2<\/a>\n                                                        <div class=\"inline-content text-sm\">\n                                                                    <p>The spatial layout of designed darkrooms, as well as their materiality, atmosphere and ornaments, have their origins in public spaces. Although in almost every case no architect or designer is formally behind their design, the darkroom, charged by the potential of sexual interaction without the need to undress, is a common architectural feature of gay venues across the world.<\/p>\n                                                            <\/div>\n                        <\/li>\n                                    <\/ol>\n            <\/footer>\n            <\/div>\n<\/section>\n\n<div class=\"container my-2.5\">\n        <div class=\"card-wrap\">\n                    <article class=\"card theme-default-shadow theme-default-shadow-hover relative\" data-track-content data-content-name=\"Exhibition booklet\">\n    <div class=\"card-header\">\n                    <a\n                class=\"card-tag button button-black z-[10]\"\n                href=\"https:\/\/arkdes.se\/en\/exhibitions\/\"\n            >\n                Exhibitions\n            <\/a>\n        \n                    <div class=\"card-date\">\n                                    <p class=\"lowercase\">\n                        .pdf (495 KB)\n                    <\/p>\n                \n                \n\n\n                            <\/div>\n        \n        \n            <\/div>\n\n                    <a\n            class=\"expanded-hit-area\"\n            href=\"https:\/\/arkdes.se\/wp-content\/uploads\/2024\/02\/cruising-pavilion-boxen-arkdes_catalogue.pdf\"\n            onclick=\"document.getElementById('dateForm_69dff21fd7a3d').submit(); return false;\"\n            data-content-target=\"https:\/\/arkdes.se\/wp-content\/uploads\/2024\/02\/cruising-pavilion-boxen-arkdes_catalogue.pdf\"\n        >\n        <h2\n        class=\"card-title\"\n        id=\"card-title69dff21fd7a3c\"\n    >\n        Exhibition booklet\n    <\/h2>\n            <\/a>\n    \n    \n    <div class=\"card-image-holder\">\n                    <div class=\"card-image\">\n                <figure class=\"w-full\" aria-hidden='true'>\n    <div class=\"relative\">\n        \n        <picture class=\"w-full\"><img decoding=\"async\" src=\"https:\/\/images.ohmyhosting.se\/7bIyNsOCkNS_3qxzarJYVpiHpeQ=\/fit-in\/370x277\/smart\/filters:quality(10):blur(9)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fcruising-pavilion-rasmus-myrup-man-alone-2019-3d-pinup-magazine-03.jpg\" srcset=\"https:\/\/images.ohmyhosting.se\/0HCcoueoDQy56eOQv_ziPuft9Ko=\/370x277\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fcruising-pavilion-rasmus-myrup-man-alone-2019-3d-pinup-magazine-03.jpg 1x, https:\/\/images.ohmyhosting.se\/YvbNsuZK6IlMkvZ8eILEopE_Sew=\/740x555\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2Fcruising-pavilion-rasmus-myrup-man-alone-2019-3d-pinup-magazine-03.jpg 2x\" alt=\"\" class=\"w-full block\" height=\"277.5\" width=\"370\" fetchpriority=\"auto\" loading=\"lazy\" \/><\/picture>\n    <\/div>\n\n            <figcaption class=\"text-sm mt-2.5 flex flex-col gap-2.5\">\n                            <i class=\"block not-italic\">Image: Rasmus Myrup. 2019.<\/i>\n                        \n        <\/figcaption>\n    <\/figure>\n\n            <\/div>\n            <\/div>\n\n    \n    <\/article>\n                    <article class=\"statement p-2.5 text-lg bg-grey text-red\">\n    <h2>The exhibition contains explicit works depicting sex and is not recommended for people under the age of 15.<\/h2>\n<\/article>\n            <\/div>\n<\/div>\n\n<div class=\"container\">\n    <div class=\"p-2.5 my-2.5 bg-white theme-default-shadow max-w-inline\">\n        <figure class=\"w-full\" >\n    <div class=\"relative\">\n        \n        <picture class=\"w-full\"><source media=\"(max-width:409px)\" data-srcset=\"https:\/\/images.ohmyhosting.se\/cuiheLf1MtjSpW1Y02Yaqrrc4xw=\/390x0\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F10_cruisingpavilion_johandehlin-low-res-4.jpg 1x, https:\/\/images.ohmyhosting.se\/OecsrVY3slxHTKaHoAVQfzmAt7o=\/780x0\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F10_cruisingpavilion_johandehlin-low-res-4.jpg 2x\"><img decoding=\"async\" src=\"https:\/\/images.ohmyhosting.se\/yy6PDiH0Vh36GqmPJ_ucSQ7ecjM=\/fit-in\/570x855\/smart\/filters:quality(10):blur(9)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F10_cruisingpavilion_johandehlin-low-res-4.jpg\" srcset=\"https:\/\/images.ohmyhosting.se\/xZRph-rSikNvlgmyh469qaPZJB4=\/570x855\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F10_cruisingpavilion_johandehlin-low-res-4.jpg 1x, https:\/\/images.ohmyhosting.se\/WRusvxp-zeM90g3oR7rmntHQ3bE=\/1140x1710\/smart\/filters:quality(85)\/https%3A%2F%2Farkdes.se%2Fwp-content%2Fuploads%2F2024%2F02%2F10_cruisingpavilion_johandehlin-low-res-4.jpg 2x\" alt=\"\" class=\"w-full block\" height=\"855\" width=\"570\" fetchpriority=\"auto\" loading=\"lazy\" \/><\/picture>\n    <\/div>\n\n            <figcaption class=\"text-sm mt-2.5 flex flex-col gap-2.5\">\n                            <i class=\"block not-italic\">Photo: Johan Dehlin. 2019.<\/i>\n                        \n        <\/figcaption>\n    <\/figure>\n\n    <\/div>\n<\/div>\n\n<div class=\"container my-2.5\">\n            <div class=\"max-w-inline\">\n            <div class=\"bg-white\">\n            <div\n            class=\"\n                px-2 py-[9px] bg-white border-2 border-black\n                pt-2\n                \n                pb-2\n            \"\n            \n        >\n                                            <h2>About the project<\/h2>\n                                                                        <div\n                                        class=\"inline-content pt-[15px]\"\n                >\n                    <p><em>Cruising Pavilion<\/em> at ArkDes is the culmination of two years of research by the curatorial collective <a href=\"https:\/\/en.wikipedia.org\/wiki\/Cruising_Pavilion\" target=\"_blank\" rel=\"noopener\">Cruising Pavilion<\/a>. Previous exhibitions of the project in Venice, Italy (Spazio Punch), and New York City, USA (Ludlow38), have explored the different directions by which cruising practices have evolved. In this third and final exhibition, the project focuses on the intersection of sexuality and the architecture of the city.<\/p>\n\n                <\/div>\n                                    <\/div>\n        <\/div>\n\n        <\/div>\n    <\/div>\n\n<div class=\"container my-2.5\">\n            <div class=\"max-w-inline\">\n            <div class=\"bg-white\">\n            <div\n            class=\"\n                px-2 py-[9px] bg-white border-2 border-black\n                pt-2\n                \n                pb-2\n            \"\n            \n        >\n                                            <h2>Boxen at ArkDes<\/h2>\n                                                                        <div\n                                        class=\"inline-content pt-[15px]\"\n                >\n                    <p><a href=\"https:\/\/www.e-flux.com\/announcements\/206872\/boxen-at-arkdes\/\" rel=\"noopener\">Boxen \u2197<\/a> <span style=\"color: hsl(0 0% 0% \/ var(--tw-text-opacity));\">was a platform for fast-changing, experimental projects at ArkDes. It provided space for alternative voices to inspire discussions about architecture, design, and their relationship to society by promoting radical and responsive installations, exhibitions, events and dialogues by and between architects, designers, and thinkers. Designed by the emerging architecture studio <\/span><a href=\"https:\/\/www.archdaily.com\/911545\/boxen-dehlin-brattgard-arkitekter\" rel=\"noopener\">Dehlin Brattg\u00e5rd \u2197<\/a><span style=\"color: hsl(0 0% 0% \/ var(--tw-text-opacity));\">, Boxen opened in 2018 and was dismantled in 2023. All materials have been reused in the 2024 redesign of the museum&#8217;s spaces, designed by <\/span><a href=\"http:\/\/www.arrhovfrick.se\" rel=\"noopener\">Arrhov Frick \u2197<\/a><span style=\"color: hsl(0 0% 0% \/ var(--tw-text-opacity));\">.<\/span><\/p>\n\n                <\/div>\n                                    <\/div>\n        <\/div>\n\n        <\/div>\n    <\/div>\n\n<div class=\"container my-2.5\">\n            <div class=\"max-w-inline\">\n            <div class=\"bg-white\">\n            <div\n            class=\"\n                px-2 py-[9px] bg-white border-2 border-black\n                pt-2\n                \n                pb-2\n            \"\n            x-data=\"collapse(false)\"\n        >\n                                                \n                    <button\n                        class=\"relative w-full text-left pr-5\"\n                        aria-controls=\"content-reading-list\"\n                        x-bind:ariaExpanded=\"open.toString()\"\n                        @click=\"toggle\"\n                    >\n                                <h2>Reading list<\/h2>\n                                        <span\n                            class=\"\n                                absolute top-1\/2 -mt-0.5 right-1 block border-t-2 border-current w-2.5\n                                after:block after:w-2.5 after:border-t-2 after:border-inherit after:absolute after:-top-0.5 after:rotate-90\n                            \"\n                            x-effect=\"$el.classList.toggle('after:!rotate-0', open)\"\n                        ><\/span>\n                    <\/button>\n                                                                            <div x-show=\"open\">\n                                <div\n                                            id=\"content-reading-list\"\n                                            class=\"inline-content pt-[15px]\"\n                >\n                    <div class=\"page\" title=\"Page 21\">\n<div class=\"section\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p><em>The following titles can be found in the library at ArkDes:<\/em><\/p>\n<p>Berlant, Lauren Gail., Warner, Michael (1998). <em>Sex in Public. Literary Theory: An Anthology<\/em>. S. 1034-1049<\/p>\n<p>Bronson, A. A. &amp; Hobbs, Peter (2011).<em> Queer Spirits<\/em>. 1st Ed. New York: Creative Time<\/p>\n<p>Bullock, Michael (2012).<em> Roman Catholic Jacuzzi<\/em>. Karma<\/p>\n<p>Burg, B. R. (1995). <em>Sodomy and the Pirate Tradition: English Sea Rovers in the Seventeenth-Century Caribbean<\/em>. Rev. ed. of: Sodomy and the Perception of Evil (1983) New York: New York University Press<\/p>\n<p>Burr, Tom (2015). <em>Tom Burr: Anthology: Writings 1991- 2015<\/em>. Reims: FRAC Champagne-Ardenne<\/p>\n<p>Chauncey, George (2019). <em>Gay New York: Gender, Urban Culture, and the Making of the Gay Male World, 1890-1940<\/em>. Second trade paperback edition. New York: Basic Books<\/p>\n<p>Colomina, Beatriz., Bloomer, Jennifer (Ed.) (1992). <em>Sexuality &amp; Space<\/em>. New York: Princeton Architectural Press<\/p>\n<p>Dean, Tim (2009). <em>Unlimited Intimacy: Reflections on the Subculture of Barebacking<\/em>. University of Chicago Press<\/p>\n<p>Edelman, Lee (2004). <em>No Future: Queer Theory and the Death Drive<\/em>. Durham: Duke University Press<\/p>\n<p>Eribon, Didier (2013). <em>Returning to Reims<\/em>. Los Angeles, California: Semiotext<\/p>\n<p>Fritscher, Jack., Hemry, Mark (2007). <em>Gay San Francisco: Eyewitness Drummer : A memoir of the sex, art, salon, pop culture war, and gay history of Drummer magazine, The Titanic 1970s to 1999<\/em>. San Francisco: Palm Drive Pub<\/p>\n<p>Hastings, Rosie., Quinlan, Hannah (2017). <em>UK Gay Bar Directory<\/em>. London: Arcadia Missa<\/p>\n<p>Higgs, David (Ed.) (1999). <em>Queer Sites: Gay Urban Histories Since 1600<\/em>. London: Routledge<\/p>\n<p>Hilton, Johan (2006). <em>No Tears for Queers: Ett reportage om m\u00e4n, b\u00f6gar och hatbrott<\/em>. [Ny utg.] Stockholm: Atlas<\/p>\n<p>Hocquenghem, Guy (1993). <em>Homosexual Desire<\/em>. Durham: Duke University Press<\/p>\n<\/div>\n<div class=\"column\">\n<p>Hocquenghem, Guy (1980). <em>Le gay voyage: guide et regard homosexuels sur les grandes m\u00e9tropoles<\/em>. Paris: A. Michel<\/p>\n<p>Hocquenghem, Guy (2010 [1973]). <em>The Screwball Asses<\/em>. Los Angeles, CA: Semiotext<\/p>\n<p>Humphreys, Laud (1975). <em>Tearoom Trade: Impersonal Sex in Public Places<\/em> [New ed.]. Chicago: Aldine<\/p>\n<p>Ingram, Gordon Brent., Bouthillette, Anne-Marie., Retter, Yolanda (Ed.) (1997). <em>Queers in Space: Communities, Public Spaces, Sites of Resistance<\/em>. Seattle: Bay Press<\/p>\n<p>Jones, Angela (Ed.) (2013). <em>A Critical Inquiry into Queer Utopias<\/em>. New York: Palgrave Macmillan<\/p>\n<p>Kries, Mateo., Eisenbrand, Jochen., Rossi, Catharine (Ed.) (2018). <em>Night Fever: Designing Club Culture 1960-Today<\/em>. Weil am Rhein: Vitra Design Museum<\/p>\n<p>L\u00f6fstr\u00f6m, Jan (Ed.) (1998). <em>Scandinavian Homosexualities: Essays on Gay and Lesbian Studies<\/em>. New York, N.Y.: Haworth Press<\/p>\n<p>Massey, Doreen (1994). <em>Space, Place and Gender<\/em>. Oxford: Polity Press<\/p>\n<p>Mu\u00f1oz, Jos\u00e9 Esteban (2009). <em>Cruising Utopia: The Then and There of Queer Futurity<\/em>. New York: New York University Press<\/p>\n<p>Nguyen, Tan Hoang (2014). <em>A View From the Bottom: Asian American Masculinity and Sexual Representation<\/em>. Durham: Duke University Press<\/p>\n<p>Preciado, Beatriz (2014). <em>Pornotopia: An Essay on Playboy\u2019s Architecture and Biopolitics<\/em>. New York: Zone Books<\/p>\n<p>Preciado, Beatriz (2013). <em>Testo Junkie: Sex, Drugs and Biopolitics in the Pharmacopornographic Era<\/em>.<\/p>\n<p>Rawlins, Christopher Bascom (2013). <em>Fire Island Modernist: Horace Gifford and the Architecture of Seduction<\/em>. New York, NY: Metropolis Books<\/p>\n<p>Ricco, John Paul (2002). <em>The Logic of the Lure<\/em>. Chicago: University of Chicago Press<\/p>\n<p>Sanders, Joel (Ed.) (1996). <em>Stud: Architectures of Masculinity<\/em>. New York: Princeton Architectural Press<\/p>\n<p>Schulman, Sarah (2012). <em>The Gentrification of the Mind: Witness to a Lost Imagination<\/em>. Berkeley: University of California Press<\/p>\n<p>Stevens, Hugh (Ed.) (2011). <em>The Cambridge Companion to Gay and Lesbian Writing<\/em>. Cambridge: Cambridge University Press<\/p>\n<p>Teyssier, Paul (2010). <em>Maisons closes parisiennes: architectures immorales des ann\u00e9es 1930<\/em>. Paris: Parigramme<\/p>\n<p>Vidler, Anthony (1987). <em>Asylums of Libertinage: De Sade, Fourier, Lequeu. The Writing of the Walls: Architectural Theory in the Late Enlightenment.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n\n                <\/div>\n                                    <\/div>\n                                    <\/div>\n        <\/div>\n\n        <\/div>\n    <\/div>\n\n<div class=\"container my-2.5\">\n            <div class=\"max-w-inline\">\n            <div class=\"bg-white\">\n            <div\n            class=\"\n                px-2 py-[9px] bg-white border-2 border-black\n                pt-2\n                \n                pb-2\n            \"\n            x-data=\"collapse(false)\"\n        >\n                                                \n                    <button\n                        class=\"relative w-full text-left pr-5\"\n                        aria-controls=\"content-collaboration\"\n                        x-bind:ariaExpanded=\"open.toString()\"\n                        @click=\"toggle\"\n                    >\n                                <h2>Collaboration<\/h2>\n                                        <span\n                            class=\"\n                                absolute top-1\/2 -mt-0.5 right-1 block border-t-2 border-current w-2.5\n                                after:block after:w-2.5 after:border-t-2 after:border-inherit after:absolute after:-top-0.5 after:rotate-90\n                            \"\n                            x-effect=\"$el.classList.toggle('after:!rotate-0', open)\"\n                        ><\/span>\n                    <\/button>\n                                                                            <div x-show=\"open\">\n                                <div\n                                            id=\"content-collaboration\"\n                                            class=\"inline-content pt-[15px]\"\n                >\n                    <p><em>West Side Club<\/em> (2018), conceived by Carlos Reyes for Cruising Pavilion and designed by <a href=\"http:\/\/www.abcdinamo.com\/front\" target=\"_blank\" rel=\"noopener\">Dinamo<\/a> \u200bwith Laurence Favez, is an open source typeface connected to this exhibition.<\/p>\n<p>With support from <a href=\"https:\/\/ifsuede.com\" target=\"_blank\" rel=\"noopener\">Institut Fran\u00e7ais de Su\u00e8de<\/a>\u00a0and thanks to <a href=\"https:\/\/rfslstockholm.se\/svl\/sexperterna\/\" target=\"_blank\" rel=\"noopener\">Sexperterna, RFSL Stockholm<\/a>.<\/p>\n<p>Thanks to: Alfred Agostinelli, Khalid al Gharaballi, Faris Al-Shatir, Martin B\u00e9thenod, Michael Bullock, Felix Burrichter, Paul Clinton, Taylor Cornelson, Marion Dana, Blanche de Lestrange, Louis De Belle, Phillip Denny, Kent C. Dillon, Laurent Dumas, Nhu Duong, Maud Escudi\u00e9, Pol Esteve, Jennifer Flay, Johan Fraisse, Adrien Grigorescu, Corentin Hamel, Joram Harel, Jan Hietala, Lilli Hollein, Eric Hussenot, Peggy Leboeuf, Huw Lemmey, Ga\u00eblle Lauriot- Pr\u00e9vost, Ingrid Luquet-Gad, Jean Makhlouta, Federico Martelli, Giorgio Mastinu, Augusto Maurandi, Thomas C. Mercier, Bruno Mokross, Luis Ortega Govela, Dominique Perrault, Marie Proffit, Adriana Rami\u0107, Shyan Rahimi, Lili Reynaud Dewar, Brian Robinson, Lucio Serpani, Tim Smith, Artie Vierkant, Steven Warwick, Franziska Sophie Wildf\u00f6rster, BOFFO, Breeder Gallery, Fireflies, Glassbead, Goethe Institut (New York City), Spazio Punch<\/p>\n\n                <\/div>\n                                    <\/div>\n                                    <\/div>\n        <\/div>\n\n        <\/div>\n    <\/div>\n\n<div class=\"container my-2.5\">\n            <div class=\"max-w-inline\">\n            <div class=\"bg-white\">\n            <div\n            class=\"\n                px-2 py-[9px] bg-white border-2 border-black\n                pt-2\n                \n                pb-2\n            \"\n            x-data=\"collapse(false)\"\n        >\n                                                \n                    <button\n                        class=\"relative w-full text-left pr-5\"\n                        aria-controls=\"content-team\"\n                        x-bind:ariaExpanded=\"open.toString()\"\n                        @click=\"toggle\"\n                    >\n                                <h2>Team<\/h2>\n                                        <span\n                            class=\"\n                                absolute top-1\/2 -mt-0.5 right-1 block border-t-2 border-current w-2.5\n                                after:block after:w-2.5 after:border-t-2 after:border-inherit after:absolute after:-top-0.5 after:rotate-90\n                            \"\n                            x-effect=\"$el.classList.toggle('after:!rotate-0', open)\"\n                        ><\/span>\n                    <\/button>\n                                                                            <div x-show=\"open\">\n                                <div\n                                            id=\"content-team\"\n                                            class=\"inline-content pt-[15px]\"\n                >\n                    <p>Cruising Pavilion: Pierre-Alexandre Mateos, Rasmus Myrup, Octave Perrault, Charles Teyssou<br \/>\nCurator at ArkDes: James Taylor-Foster<\/p>\n<p>Production Assistant: Elisabet Norin<br \/>\nEditor (Swedish): Annie Jensen<br \/>\nProofreading: Shumi Bose, Daniel Golling<br \/>\nGraphic Identity: Studio Reko<br \/>\nLight Design: El &amp; Scenteknik AB<br \/>\nInstallation: Markus Eberle, Stefan Mossfeldt<br \/>\nProduction (Programming): Elisabet Sch<span class=\"st\">\u00f6<\/span>n<br \/>\nInstallation photography: Johan Dehlin<\/p>\n\n                <\/div>\n                                    <\/div>\n                                    <\/div>\n        <\/div>\n\n        <\/div>\n    <\/div>","protected":false},"parent":0,"menu_order":0,"template":"","exhibition_category":[46,70,76,74],"class_list":["post-4372","exhibition","type-exhibition","status-publish","hentry","exhibition_category-architecture","exhibition_category-boxen","exhibition_category-contemporary","exhibition_category-public-space"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.3 - 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