Sigurd Lewerentz outside St Mark's Church. Photo: Pål-Nils Nilsson/Private collection.
About Sigurd Lewerentz
Sigurd Lewerentz was born in the north of Sweden, in Bjärtrå, Västernorrland County, on 29 July 1885, the son of Gustaf Adolf and Hedvig Matilda Lewerentz. He initially trained as a mechanical engineer and an architect at the Chalmers University of Technology in Gothenburg and followed his education with apprenticeships in Berlin and Munich.
When Lewerentz set up an independent practice in Stockholm in 1911, he was joined by his colleague Torsten Stubelius. His first breakthrough came in 1915 when he was awarded first prize in the competition for a new cemetery in Stockholm (The Woodland Cemetery), a proposal created in collaboration with Gunnar Asplund. For the Woodland Cemetery, Lewerentz designed the neoclassical Resurrection Chapel, completed in 1925. A year following his success in the competition of 1915, he won first prize in the competition for a new cemetery in Malmö.
During the 1930s, while Lewerentz was working on the two cemeteries, he made major contributions to the Stockholm Exhibition of 1930 by way of buildings, furniture, and graphic design. Around this time he also realised two major office buildings in Stockholm. He started to design and produce steel windows and other architectural fittings, a side of his practice that gradually absorbed more and more of his time. In the 1940s, he set up his own factory for these purposes in Eskilstuna.
In the mid 1940s Lewerentz oversaw the completion of the Chapels of St. Knut and St. Gertrud, and the Malmö City Theatre – two projects that he had worked on for many years. His notoriety came with the late churches, however: St. Marks in Björkhagen (1960), and St. Peters in Klippan (1966). When Lewerentz died in Lund in 1975, he was regarded as a legend of Swedish architecture.